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Events for 3 October 2019 - 20 February 2020

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October 2019

Launch evening at the Trianon

3 October 2019 à 18 h 00 - 22 h 30
Le Trianon, 80 boulevard de Rochechouart
Paris, 75018
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——— The late human race? ■ Nina Garcia : Mariachi Can one be more human than Nina Garcia and her solo Mariachi that will symbolically be the first act of Némo 2019/2020? With her guitar, a pedal and an amplifier, the young artist embodies existential burning, sonic calligraphy and free emotion. Mariachi is the ebullient combination of the body, the soul and sound.   Nina Garcia is a SHAPE artist, a platform for innovative music and audiovisual art from Europe, with the support of the Europe Creative Programme of the European Union.        ■ Freeka Tet : Uncanny Valley Openly flirting with the boundaries between humanity

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Exhibition Les Hôtes | Jérôme Poret

5 October 2019 - 15 December 2019
La Maréchalerie – Centre d’Art Contemporain, 5 Avenue de Sceaux
Versailles, 78000
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——— ■ Jérôme Poret : Les Hôtes The Maréchalerie has invited Jérôme Poret to produce an exhibition and to join forces in the organisation of Manèges, the annual cycle of debates. In 1884, convinced that a curse had been placed on her family due to the invention by her father-in-law of the first bolt action rifle, the widow of Winchester started the construction of a house that would only be finalised 38 years later. Every night, she would communicate with the spirits, the presumed victims of the rifle, who would supply her with plans for a house in permanent construction, that had at the death of

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Nuit Blanche – edition 18 | Le CENTQUATRE-PARIS

5 October 2019 à 19 h 00 - 0 h 00
Le CENTQUATRE-PARIS, 5 rue Curial
Paris, 75019
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——— ■ Premier dévoilement ! Jusqu'ici tout va bien ? (Archéologies d'un monde numérique) A week after its opening and on the occasion of the Nuit Blanche, a first glimpse of the main exhibition of the digital art Biennial Némo will be unveiled to the public. You will discover the “new agora”, the neo-visitors of the CENTQUATRE in a technological world deserted by humans. A strange ecosystem, a mechanical, electric and electronic nature reclaiming its rights, will unfold with works by Krištof Kintera and Arcangelo Sassolino. Beb-Deum and Margriet van Breevoort will present a lively post-humanity, next to the 1990s karaoke – for machines only!

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Nuit Blanche at Saint-Merry church – Guillaume Marmin: Glory Moon

5 October 2019 à 20 h 00 - 3 h 00
Église Saint-Merry, 76 rue de la Verrerie
Paris, 75004
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——— ■ Guillaume Marmin: Glory Moon A nocturnal metamorphosis of Slodtz’s Gloire dorée (1753) that decorates the Saint-Merry choir, a luminous sphere radiating throughout the nave, sculpting and revealing this space in three dimensions. An immersive scenography made up of more than 200 specific projectors, Glory Moon invites us to a physical exploration of the links between light, sound and architecture. © Maxime Brochier   ——— Saint-Merry church, Paris 4e Performance from 8pm to 3am ► free entrance Conception: Guillaume Marmin Sound design: Jean-Baptiste Cognet et Philippe Gordiani Production: TETRO+A Technics: Maël Pinard et Simon Zerbib    

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Exhibition at the CENTQUATRE-PARIS – Jusqu’ici tout va bien ? Archéologies d’un monde numérique [So far, so good?]

13 October 2019 - 9 February 2020
Le CENTQUATRE-PARIS, 5 rue Curial
Paris, 75019
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——— Jusqu'ici tout va bien ? (Archéologies d'un monde numérique) After Troublemakers, Prosopopées and Les Faits du hasard, here is the fourth main exhibition imagined by Gilles Alvarez and José-Manuel Gonçalvès. You are invited to project yourself in another world, a world that may not be with you. A world where the last human being has left, forgetting to turn the light off! Welcome to the future archaeologies of a digital world… Beings of the future, post-humans, These visitors come to discover a museum abandoned since 2019, after the disappearance of the human race… Room after room, they will discover an exhibition of digital contemporary

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ISRAEL GALVÁN + YCAM : Israel & Israel

24 October 2019 - 26 October 2019
Maison de la culture du Japon à Paris, 101 bis Quai Branly
Paris, 75015
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——— ■ ISRAEL GALVÁN + YCAM   : Israel & Israel  This event brings together a choreographic performance and a discussion between Israel Galván and Nao Tokui (Qosmo) who is a Japanese specialist of artificial intelligence. “’What does the machine understand about dance?”  That’s what the engineers of the Japanese institute YCAM (Yamaguchi Center for Arts and Media) have attempted to find out. Specialised in the relationship between art and new technology, fascinated by the dancer Israel Galván, they wanted to teach his unique language to an artificial intelligence. “Inspiring the dancer by speaking his language, sending him new and surprising impulsions, these machines have become the

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November 2019

Zero Autonomy Exhibition at Cité internationale des arts

22 November 2019 - 1 December 2019
Cité internationale des arts, 18 rue de l’Hôtel de Ville
Paris, 75004
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——— ■ Autonomy Zero Co art director : Gilles Alvarez (CENTQUATRE-Paris) and Dominique Moulon (associate curator Nemo Biennial) There are many ways to conceive the lack or loss of autonomy, for humans as well as machines. By analyzing our relationships with technology, we understand that this missing autonomy is an important society issue. As a matter of fact, over time, we have given our knowledge and intelligence to servers and applications. This includes our most intimate memories that we are totally unable to precisely locate. We lose our minds at the thought of having a low battery or a disconnected network, even for a short amount

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Festival Bruits blancs #9

23 November 2019 - 30 November 2019

——— ■ Festival Bruits blancs #9 The Némo Biennial systematically welcomes the excellent festival Bruits Blancs directed by Franck Vigroux, the associate artist of Némo 2015. This programme of “exploratory music” unfolds in three partner venues of the Biennial: La Muse en Circuit, the Cube and Anis Gras. Photo credit - Derek Holzer ——— Programmation from 23rd to 30 november can be found here ► http://bruitsblancs.fr/

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NovaXX /2. NOVAXX / International Biennial devoted to technological, scientific and artistic innovation by women and in the era of the Fourth Industrial Revolution 4.0. 2019

29 November 2019 - 5 January 2020
Centre Wallonie-Bruxelles, 127-129 Rue Saint-Martin
Paris, 75004
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——— NovaXX / International Biennial devoted to technological, scientific and artistic innovation by women and in the era of the Fourth Industrial Revolution 4.0. 2019 ■ Haro sur les héros ! The NOVAXX ambitions to highlight the artworks of female artists that question as much as they testify to, criticise and incorporate scientific and technological innovations. The exhibition looks to contribute in dissolving the boundaries that separate contemporary art and movements from media art and so-called hybrid art, favouring creative processes that are based on going beyond corporations. Through the NOVAXX, the work of more than 10 female artists excelling and distinguishing themselves in the Old

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December 2019

Sylvain Darrifourcq : FIXIN (creation) + O.U.R.S. – Clément Janinet : Danse?

4 December 2019 à 20 h 00 - 22 h 30
Théâtre de Vanves, 12 Rue Sadi Carnot
Vanves, 92170 France
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——— ■ Sylvain Darrifourcq : FIXIN (création)  The transhumanist movement has a specific goal: augmenting our intellectual and physical capabilities. But what happens when an artist applies techno-scientific progress to the body of a musician? FIXIN is a performance that stages the body of musician that has been “augmented” by a multitude of motors and digital tools.   ■ O.U.R.S. - Clément Janinet : Danse? ——— Théâtre de Vanves (92)  4th of december at 8pm, informations and reservations ► www.billetterie.theatre-vanves.fr/spectacle?id_spectacle=5343&lng=1 Co-production : Biennale Nemo / Arcadi, Hector, Full Rhizome, Théâtre de Vanves, Muse en Circuit, Lieu Multiple / avec le soutien de l’Adami, Spedidam 

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Jeanne Added - Both Sides

6 December 2019 à 20 h 30 - 22 h 30
Théâtre de Saint-Quentin-en-Yvelines, Scène nationale, Place Georges Pompidou
Saint-Quentin-en-Yvelines, Yvelines 78054
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——— ■ Jeanne Added Both Sides Awarded with a double Victoire de la musique in 2019, Jeanne Added proposes more than just a concert: an audio-visual show at the heart of sound, light, musical and vocal performance. In this intimate evening with three scenes, she reinvents her repertoire and explores new dimensions.   Photo credit - Jeanne Added by Julien Mignot ——— Théâtre de Saint-Quentin-en-Yvelines  6th of december, 8:30pm, informations and reservation ► http://www.theatresqy.org/saison/spectacle/jeanne_added.htm   Music, conception: Jeanne Added / Music programmation: Emiliano Turi / Scenography: Eric Soyer / Light: Eric Soyer, Luis Ferreira / Sound : Gilles Olivesi, Guillaume Dulac / Régie plateau : Cassandre Daumont Marx/ Light: Alexia Nguyen Thi / Régie

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Lena Herzog : Last Whispers

7 December 2019 à 18 h 30 - 22 h 00
Maison de la musique de Nanterre, 8 rue des Anciennes Mairies
Nanterre, 92000
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——— ■ Lena Herzog : Last Whispers  At the heart of the challenges of the 21st century, Last Whispers mourns the many languages that are disappearing or that have already disappeared. In the music of the planet’s languages, Lena Herzog invites us to discover things with emotion in her immersive oratorio “for lost voices and universes that are collapsing”, with magnificent images. ——— Maison de la musique, Nanterre (92)  7th of december, projection and talk at 6pm, informations and reservations ► www.maisondelamusique.eu/    Co-realisation with Théâtre du Châtelet (Paris) ; Théâtre de la Ville-Paris ; Festival d’Automne à Paris
En collaboration avec Montclair State University (New Jersey), La Muse

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Jacques Perconte : HUIT ALPES

7 December 2019 à 20 h 00 - 23 h 00
Le Générateur, 16 rue Charles Frérot
Gentilly, Val-de-Marne 94250
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——— ■ Jacques Perconte : HUIT ALPES  A friend and accomplice of the Générateur since 2014, the artist Jacques Perconte comes back to the huge volume for the third time with HUIT ALPES , a musical piece and two audio-visual pieces for a dreamlike journey across the Alps.   ——— Le Générateur, Gentilly (94)  December 7th, 8pm, informations ► https://legenerateur.com/

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Carte blanche House to the Electronic Arts Basel

11 December 2019 - 14 December 2019
Centre Culturel Suisse – Paris, 38 Rue des Francs Bourgeois
Paris, 75003
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——— ■ Carte blanche House to the Electronic Arts Basel In its program for Centre culturel Suisse, HeK (House of Electronic Arts Basel) reflects its identity as a museum dedicated to digital culture and the new art forms of the information age. Through different formats, such as installations, screenings, performances and a public talk, HeK presents a selection of works in relation to its recent and upcoming program, echoing its specific focus on artificial intelligence developed throughout the year. In conjunction with the theme of the Némo - International Biennale of Digital Arts, questioning the impending disappearance of mankind because of technological backlash, the artists

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January 2020

Midi Danse : Co(AI)xistence de Justine Emard

23 January 2020 à 12 h 30 - 16 h 30
La Terrasse – Espace d’art de Nanterre, 57 Boulevard de Pesaro
Nanterre, 92000
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——— ■ Midi Danse : Co(AI)xistence de Justine Emard A dance break with the artist Justine Emard presenting her film Co(Ai)xstence, an encounter between a humanoid-robot and a dancer. Endowed with different forms of intelligence, the man and the robot dialogue using the signs of their respective languages, may they be verbal or with the body. By using the system of non-anthropomorphic deep learning, the robot can learn from its meeting with the dancer.   Photo Credit - Justine Emard ——— La Terrasse, espace d’art, Nanterre  January 23rd, projection and meet-up with Justine Emard 12:45pm, walk-in ► www.nanterre.fr/1499-la-terrasse-espace-d-art.htm With  Mirai Moriyama & Alter- with the participation

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Quatuor Impact : Les Automates de Descartes [ Festival Sors de ce corps ! ]

23 January 2020 à 20 h 30 - 22 h 30
Le Cube – Centre de création numérique, 20 cours Saint-Vincent
Issy-les-Moulineaux, Hauts-de-Seine 92130
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——— ■ Quatuor Impact : Les Automates de Descartes  Descartes’ Automatons take its inspiration from the thoughts of the philosopher who described his confusion when facing the movement of figures that he could not qualify as human or mechanical. At the boundaries of reality and artificiality, in a hand-to-hand with the technologies surrounding them, the four automaton musicians animate in the darkness a succession of choreographic, musical and visual scenes.   Photo Credit - Rudy Etienne ——— Le Cube, centre de création numérique, Issy-les-Moulineaux (92)  Within Festival Sors de ce corps ! January 23rd, 8:30pm, free entrance ► www.lecube.com    Un projet de Julia Robert  Avec des

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February 2020

Exhibition Human Learning

4 February 2020 - 17 April 2020
Centre Culturel Canadien – Paris, 130 Rue du Faubourg Saint-Honoré
Paris, 75008
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——— ■ Exposition Human Learning  We have taught machines to count, then to memorize. Today, they teach themselves. The digital world calls this “machine learning”. We almost forget that this is only an evolution in what we have called “artificial intelligence”, based on the work carried out from the 1950s by the mathematician Alan Turing. Since that time, and in view of innovative artistic practices such as that of the Frenchman Nicolas Schöffer, more and more artists collaborate with machines to produce works, without thinking that they, too, may be creative.     Wouldn’t it be time to consider the value of the teaching that machines of

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Rocio Berenguer: G5 (closing performance of the Biennial)

9 February 2020 à 16 h 00 - 17 h 00
Le CENTQUATRE-PARIS, 5 rue Curial
Paris, 75019
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——— ■ Rocio Berenguer: G5 (closing performance of the Biennial) G5 is at the crossroads of dance with connected plants, cyborg-animals and mineral movements, of bacteriological attacks and political speeches of another kind. This project attempts, through science fiction, another possible scenario of our future and opens the field of utopia still remaining to be built. Our economic system is at war with our planet, maybe giving the status of legal entities and subjects to non-human living beings could be a way to respect other forms of life on Earth.   Isn’t inviting you to an international inter-species summit to negotiate the future governance of the

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Raphaël Gouisset (Les Particules) / Benjamin Villemagne (Quincaillerie Moderne) : CGU, Performance rébarbative sur les conditions générales d’utilisation d’Internet

20 February 2020 à 19 h 30 - 21 h 30
Maif Social Club, 37 Rue de Turenne
Paris, 75003 France
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——— ■  Raphaël Gouisset (Les Particules) / Benjamin Villemagne (Quincaillerie Moderne) : CGU, Performance rébarbative sur les conditions générales d’utilisation d’Internet   Do you use Google? Do you use Amazon? Do you use Facebook? Do you use Apple? Do you use Netflix, Twitter, Instagram, Microsoft…? Have you read their General Terms of Use before accepting them? Careful if you say yes, we will question you. So? No, you haven’t read them, have you? That’s what we thought. The CGU performance, at the crossroads of NetArt and theatre, is an absurd (yet essential) attempt to read to the public the GAFA’s General Terms of Use in their full

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