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December 2015

La Métamorphose de Michaël Levinas, ensemble Le Balcon, Luis Niéto

4 December 2015 à 20 h 30
l’Avant Seine / Théâtre de Colombes, Parvis des Droits de l'Homme - 88 rue Saint-Denis
Colombes, Hauts-de-Seine 92700
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12€ – 19€

We are delighted to present this remarkable contemporary opera, co-produced by Arcadi Île-de- France. There are several reasons for this. Firstly its music, of course: a spellbinding score where the writing for the voice is extremely intricate (with glissandi and portamenti that literally take us into an eerie world), together with its spatialisation and computerised treatment which are used exclusively to serve the narrative. Secondly, because the director of this production is Luis Nieto, well known to Némo regulars. A true magician with images, he is brilliant at making the incredible erupt onto the stage at any moment, with a video clip (the top groups

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October 2019

Nuit Blanche at Saint-Merry church – Guillaume Marmin: Glory Moon

5 October 2019 à 20 h 00 - 3 h 00
Église Saint-Merry, 76 rue de la Verrerie
Paris, 75004
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——— ■ Guillaume Marmin: Glory Moon A nocturnal metamorphosis of Slodtz’s Gloire dorée (1753) that decorates the Saint-Merry choir, a luminous sphere radiating throughout the nave, sculpting and revealing this space in three dimensions. An immersive scenography made up of more than 200 specific projectors, Glory Moon invites us to a physical exploration of the links between light, sound and architecture. © Maxime Brochier   ——— Saint-Merry church, Paris 4e Performance from 8pm to 3am ► free entrance Conception: Guillaume Marmin Sound design: Jean-Baptiste Cognet et Philippe Gordiani Production: TETRO+A Technics: Maël Pinard et Simon Zerbib    

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ISRAEL GALVÁN + YCAM : Israel & Israel

24 October 2019 - 26 October 2019
Maison de la culture du Japon à Paris, 101 bis Quai Branly
Paris, 75015
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——— ■ ISRAEL GALVÁN + YCAM   : Israel & Israel  This event brings together a choreographic performance and a discussion between Israel Galván and Nao Tokui (Qosmo) who is a Japanese specialist of artificial intelligence. “’What does the machine understand about dance?”  That’s what the engineers of the Japanese institute YCAM (Yamaguchi Center for Arts and Media) have attempted to find out. Specialised in the relationship between art and new technology, fascinated by the dancer Israel Galván, they wanted to teach his unique language to an artificial intelligence. “Inspiring the dancer by speaking his language, sending him new and surprising impulsions, these machines have become the

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December 2019

Carte blanche House to the Electronic Arts Basel

11 December 2019 - 14 December 2019
Centre Culturel Suisse – Paris, 38 Rue des Francs Bourgeois
Paris, 75003
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——— ■ Carte blanche House to the Electronic Arts Basel In its program for Centre culturel Suisse, HeK (House of Electronic Arts Basel) reflects its identity as a museum dedicated to digital culture and the new art forms of the information age. Through different formats, such as installations, screenings, performances and a public talk, HeK presents a selection of works in relation to its recent and upcoming program, echoing its specific focus on artificial intelligence developed throughout the year. In conjunction with the theme of the Némo - International Biennale of Digital Arts, questioning the impending disappearance of mankind because of technological backlash, the artists

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February 2020

Rocio Berenguer: G5 (closing performance of the Biennial)

9 February 2020 à 16 h 00 - 17 h 00
Le CENTQUATRE-PARIS, 5 rue Curial
Paris, 75019
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——— ■ Rocio Berenguer: G5 (closing performance of the Biennial) G5 is at the crossroads of dance with connected plants, cyborg-animals and mineral movements, of bacteriological attacks and political speeches of another kind. This project attempts, through science fiction, another possible scenario of our future and opens the field of utopia still remaining to be built. Our economic system is at war with our planet, maybe giving the status of legal entities and subjects to non-human living beings could be a way to respect other forms of life on Earth.   Isn’t inviting you to an international inter-species summit to negotiate the future governance of the

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Raphaël Gouisset (Les Particules) / Benjamin Villemagne (Quincaillerie Moderne) : CGU, Performance rébarbative sur les conditions générales d’utilisation d’Internet

20 February 2020 à 19 h 30 - 21 h 30
Maif Social Club, 37 Rue de Turenne
Paris, 75003 France
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——— ■  Raphaël Gouisset (Les Particules) / Benjamin Villemagne (Quincaillerie Moderne) : CGU, Performance rébarbative sur les conditions générales d’utilisation d’Internet   Do you use Google? Do you use Amazon? Do you use Facebook? Do you use Apple? Do you use Netflix, Twitter, Instagram, Microsoft…? Have you read their General Terms of Use before accepting them? Careful if you say yes, we will question you. So? No, you haven’t read them, have you? That’s what we thought. The CGU performance, at the crossroads of NetArt and theatre, is an absurd (yet essential) attempt to read to the public the GAFA’s General Terms of Use in their full

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